Di, 6. Nov 2012

I Like Trains

2012 sees I LIKE TRAINS return with their third full length record, a document of their love/hate relationship with a modern world obsessed with technological advance. They

have flourished within Leeds‘ fertile music scene since their inception in 2004 and have seen their intelligent, thought-provoking and quintessentially British world embraced by a

growing following the world over. The NME descried them as ‚brilliant, unique, wry… at odds with pop’s present trends.‘ Uncut Magazine referred to them as ‘Bold and Impressive’, and the Guardian cast them as ‘Intelligent, very dark humorists? grand civic music, less to be listened to and more to be visited like a museum or war memorial, and all the more interesting because of it.’ The widescreen nature of their music has found them in demand for film and television soundtracks, their recent syncs include the ever popular CSi: Miami and trailers for Hollywood films The Wrestler, Amelia and Beautiful Boy.

Due for release on May 7th 2012, ‘The Shallows’ explores our relationships with technology. Set to a dark motorik pulse and haunted by machines, production duties were handed to Richard Formby, celebrated for his work on the Mercury nominated ‘Two Dancers’ by Wild Beasts. ‘The Shallows’ deals with themes of information overload, charts a history of how

our tools have shaped us, and asks how our recent reliance on digital technology to obtain information has changed the way we think and retain knowledge.

The band released their debut single ‚Before The Curtains Close‘ on the Leeds label Dance to the Radio in 2005. The murder ballad soon sold all 500 copies and was followed by their second single ‚A Rook House For Bobby‘ on Kids. The dramatic tale depicting the life of Bobby Fischer, the troubled chess grandmaster sold all 500 copies in its first week and

earned them recognition on the radio and in the press in the UK. Their third single was released in 2006 on Fierce Panda and sold all 1000 copies in its first week. ‚Terra Nova‘ was

the story of Captain Scott’s doomed 1912 Antarctic expedition set to a sensational orchestra of guitars as grand as the landscape it describes and has earned them regular

plays on national radio and glowing reviews. The band’s zero-budget animated homemade video re-enacting the last days of Scott and his team has become as popular as the song and received regular plays on MTV2 and even features in a exhibition at the Fram Antarctic museum in Oslo. The summer of 2006 saw the release of the mini-album PROGRESS, REFORM on Fierce Panda, which was a catalogue of their recordings to date and was full of

the band’s unique, beautiful sounds and rousing songs, brimming with exceptional characters and historical events. The songs covered Captain Scott, Hjalmar Johansson, a rejected candidate for the Norwegian Antarctic team; Bobby Fischer, the troubled chess Grandmaster and a reprise to Bobby’s political status; Dr. Beeching, who closed many of the

nation’s railways, and other tales of damned or murderous events.

Chelsea
Lerchenfelder Gürtel, U-Bahn Bögen 29-31, 1080 Wien
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